Govindan Unni, watching from the back row, smiled. He had spent his life capturing the sound of Kerala—the hum of backwaters, the screech of the Kuthira (horse dance) chimes. But he finally understood: Malayalam cinema, at its truest, is not a mirror held up to Kerala culture. It is a monsoon puddle—imperfect, fleeting, but reflecting the entire sky for just a moment.
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