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For decades, the entertainment industry operated on a "least objectionable program" theory, where success was measured by the ability to retain channel surfers. However, the advent of the streaming era and the subsequent "Peak TV" phenomenon shifted the paradigm. In an attention economy where consumers are inundated with options, "good" is no longer sufficient; content must be exceptional to warrant the cognitive investment of the viewer. So, what drives people to be fascinated by
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