Dora is obsessed with the materiality of the human body. In one infamous sequence, a character defecates into a bowl, and another character consumes it. This is not played for gross-out humor; it is filmed with the same solemnity as a Renaissance painting of the Last Supper. The act is framed as a deranged Eucharist—a communion of filth.
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Dora is obsessed with the materiality of the human body. In one infamous sequence, a character defecates into a bowl, and another character consumes it. This is not played for gross-out humor; it is filmed with the same solemnity as a Renaissance painting of the Last Supper. The act is framed as a deranged Eucharist—a communion of filth.
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