Morisawa’s protagonists are frequently women in their late twenties to forties who exist in densely communicative environments (open-plan offices, family group chats, social media feeds) yet describe these inputs as “static.” In her 2018 short story “The Volume Button” (original title 音量), the unnamed narrator physically breaks her smartphone’s speaker so she can no longer receive voice messages. The act is not rageful; it is surgical. Morisawa writes: “I did not want to hear what I already knew. Silence became my only unknown.”
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To help you effectively, could you please clarify: Morisawa’s protagonists are frequently women in their late
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