Consider the success of shows like Valeria (Spain) or La Casa de las Flores (Mexico). While the latter was created by Manolo Caro, the strongest narrative arcs belong to the female characters. However, the real revolution is happening behind the camera. Directors like (Spain), who won the Berlin Film Festival with Alcarràs , or Lila Avilés (Mexico) with La Camarista , are proving that the male gaze is no longer the default setting.