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While day-and-date releases are less common post-pandemic, cinemas are doubling down on “event” films (e.g., Oppenheimer , Barbie , Dune: Part Two ) with premium formats (IMAX, 70mm, 4DX). Simultaneously, concert films and stage recordings (Taylor Swift, Beyoncé, Hamilton ) are bridging the gap between theatrical and streaming.

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While we talk about "popular" media, the 2020s have seen the fragmentation of the mainstream. There is no more "The Ed Sullivan Show" where 60% of America watches the same thing. Instead, we have thousands of intersecting fandoms. we have thousands of intersecting fandoms.