"The themes and issues it addresses have never been more relevant ... Travelling Salesman is an essential watch."
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"The themes and issues it addresses have never been more relevant ... Travelling Salesman is an essential watch."
"Travelling Salesman’s mathematicians are all too aware of what their work will do to the world, and watching them argue how to handle the consequences offers a thriller far more cerebral than most."
"Simply unbelievably excellent filmmaking. This is a film to seek out."
"A trip to see this movie might become an obligatory part of all math degrees."
New York. Philadelphia. London. Cambridge. Phoenix. Washington D.C. Glasgow. Tel Aviv. Seoul. Hamburg. Hertfordshire. San Francisco. Athens. College Station. Milwaukee. Nanyang. Edinburgh. Ann Arbor.
Perhaps the most radical shift has been the reclamation of the mature female gaze. For too long, cinema assumed that desire expired at menopause. A handful of recent films have set that assumption on fire.
Thankfully, that is changing. The Good Fight (starring Christine Baranski, 72) depicted her character having a vibrant, complicated sexual relationship. Somebody Somewhere (Bridget Everett, 52) treats its heroine’s body and desires with radical tenderness. And in Good Luck to You, Leo Grande (2022), (then 63) delivered a shocking, hilarious, and profoundly moving performance as a widow hiring a sex worker to finally experience pleasure for the first time.
Across the Atlantic, (70) and Juliette Binoche (59) have long been making art out of middle-aged chaos. Huppert’s turn in Elle (2016)—as a video game CEO who responds to a violent assault with chilling, unpredictable agency—was a masterclass in subverting the victim narrative. Binoche, in films like Let the Sunshine In and Between Two Worlds , continues to explore the messy realities of desire, economic precarity, and identity with a rawness that her younger self could never have accessed.
When using any platform, make sure you're comfortable with the privacy settings and who can see your activity.
Perhaps the most radical shift has been the reclamation of the mature female gaze. For too long, cinema assumed that desire expired at menopause. A handful of recent films have set that assumption on fire.
Thankfully, that is changing. The Good Fight (starring Christine Baranski, 72) depicted her character having a vibrant, complicated sexual relationship. Somebody Somewhere (Bridget Everett, 52) treats its heroine’s body and desires with radical tenderness. And in Good Luck to You, Leo Grande (2022), (then 63) delivered a shocking, hilarious, and profoundly moving performance as a widow hiring a sex worker to finally experience pleasure for the first time.
Across the Atlantic, (70) and Juliette Binoche (59) have long been making art out of middle-aged chaos. Huppert’s turn in Elle (2016)—as a video game CEO who responds to a violent assault with chilling, unpredictable agency—was a masterclass in subverting the victim narrative. Binoche, in films like Let the Sunshine In and Between Two Worlds , continues to explore the messy realities of desire, economic precarity, and identity with a rawness that her younger self could never have accessed.
When using any platform, make sure you're comfortable with the privacy settings and who can see your activity.
"Mathematical puzzles don't often get to star in feature films, but P vs NP is the subject of an upcoming thriller"
"A movie that features science and technology is always welcome, but is it not often we have one that focuses on computer science. Travelling Salesman is just such a rare movie." video title lesbianas milf maduras les encanta
"We all know that the P=NP question is truly fascinating, but now it is about to be released as a movie." Perhaps the most radical shift has been the
"I speak with Timothy about where he got the idea for the movie, how he made sure that the mathematics was correct, and why science movies just may be the new comic book movies." Thankfully, that is changing
"At last someone is taking the position that P = NP is a possibility seriously. If nothing else, the film's brain trust realize that being equal is the cool direction, the direction with the most excitement, the most worthy of a major motion picture."
"Travelling Salesman is an unusual movie: despite almost every character being a mathematician there's not a mad person in sight."
