Dmitri was seventeen, pale from too many nights indoors, with the kind of quiet intensity that worried his mother. He wasn’t a bad kid. He helped his grandmother carry potatoes up five flights of stairs. He read Dostoevsky for fun. But at night, when the city’s concrete housing blocks turned into silent grey monoliths, he wanted to see the world outside—the world of glossy bodies, of soft-core Italian films from the ’80s, of grainy French art-house erotica that his favorite torrent blog swore was “true cinema.”
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